A Meditation on the Sacred Passion of the Holy Redeemer, for Tenor and Bass solo, SATB Choir with Organ accompaniment, with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow-Simpson, and revised by Michael Pilkington. The Crucifixion was first performed in 1887. This Novello edition of the vocal score is clear and well presented, with thoroughly accurate and detailed editorial markings and suggestions, as edited by Michael Pilkington.

(Music Sales America). Updated edition by Michael Pilkington.

Dvorak's Stabat Mater is his first setting of a religious text, which was begun in 1876. The work received its first performance in 1880 in Prague. This edition by Michael Pilkington follows the layout of the previous Novello edition for ease of compatibility. Vocal score with piano accompaniment. Text in Latin. Scored for Soprano, Alto, Tenor, and Bass Soloists, SATB and Orchestra.

(Music Sales America). Edited with a new English translation by Michael Pilkington. The English translation in this edition is entirely new, and attempts to provide a translation of van Swieten's text that fits Haydn's music. The style used tries to give some flavour of eighteenth-century language while being easily intelligible today, being an eighteenth century work. Arranged for soprano, tenor and bass soloists, SATB and orchestra. English/German edition.

This volume offers the revised English translation of the choral movement of Mendelssohn's symphony Hymn of Praise.

(Music Sales America). A new vocal score for the last movement from Beethoven's famous Ninth Symphony in D Minor (The Choral Symphony), containing the popular Ode to Joy . German text by Johann Christoph Griedrich von Schiller, with English version by Natalia Macfarren. Revised by Michael Pilkington. Includes piano reduction of the orchestral score.

(Music Sales America). Beethoven's Mass In C was commissioned by Prince Nikolaus Esterhazy for the name-day of his wife Princess Maria, and was first performed on 13 September 1807. Beethoven's setting continues the series of six great Masses composed by Haydn in previous years for the same occasion. Available here is a revised Vocal Score edition by Michael Pilkington, for SATB Soli, Choir and Piano accompaniment.

Antonin Dvorak's Requiem mass, scored for soprano, alto, tenor and bass solists, SATB choir and orchestra. Vocal Score edition, edited by Michael Pilkington. This edition follows the layout of the previous edition (NOV070088) which it supercedes.

(Music Sales America). Scored for SATB choir and orchestra. Revised edition by Michael Pilkington. Latin text.

This is the vocal score of Hadyn's Maria Theresa mass for four solo voices and mixed chorus.

(Music Sales America). Haydn composed six settings of the Mass text for the name day of Princess Maria Josepha Hemengild Esterhazy. The Nelson Mass is the third of these, written between 10 July and 31 August 1798. Scored for soprano, alto, tenor and bass soloists, SATB chorus, organ and orchestra. This is the revised edition by Michael Pilkington. The text is in Latin with an introduction in English.

Dvorak's Mass in D, Op. 86 was completed in 1887. It is scored for Soprano, Alto, Tenor and Bass soloists, SATB and organ, or SATB (with optional soloists) and orchestra. Edited by Michael Pilkington.

Available here is the vocal score of Charles Gounod's Messe Solennelle De Sainte Cecile, for Soprano, Tenor and Bass Soloists, SATB Choir, and Organ accompaniment, as edited by Michael Pilkington.

Mendelssohn's Elijahis an oratorio for SATB soli, SATB chorus, orchestra and organ, with the text derived from the Lutheran Bible by Julius Schubring. The English version of the text was translated by William Bartholemew. This New Novello Choral Edition of the vocal score contains comprehensive performance notes and detailed editorial markings and suggestions, as edited by Michael Pilkington. The German text is also included in the vocal score, and a German translation of the performance notes is also provided.

(Music Sales America). Verdi's Requiem, in an updated edition by Michael Pilkington. Scored for soprano, mezzo-soprano, tenor and bass soli, SATB chorus and orchestra. Vocal score with piano accompaniment. Introduction in English, French, German and Italian. Latin text only. Verdi's only masterpiece which was not intended for the stage.

The enduring classic Oratorio for SATB chorus and STB soli. This vocal score, edited and arranged by Michael Pilkington, contains a piano/organ accompaniment and English/German text.